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Plus, Mini Coopers have never looked so cool. Guy Hamilton So many things make this one of the greatest heist movies and Bond films of all time.
Sean Connery, the best Bond? Pussy Galore, the ultimate in hilariously-named Bond girls? Bond infiltrates Fort Knox with his piton gun grappling hook, complete with laser-cutter.
To top it off, Shirley Bassey belts out the character traits of the man with the Midas touch while the horns blare in the best Bond theme song to date.
Settling in France, he was offered the chance to direct the movie version of a crime novel by Auguste le Breton. The resulting film has long been considered as one of the greatest French crime thrillers of all time.
And Val Kilmer gives one of his best performances. The film is dark, human and wholly engaging—everything a heist movie should be.
The Usual Suspects Year: While technically a mystery film at the core, it goes gangster by the end. The film winds up and plays out like a clockwork beast, each additional bit of minutia coalescing to form a towering whole.
Dog Day Afternoon Year: This is where it all began. Sometime in early , I bumped into Mark Cousins on the street in Edinburgh, and asked what he was up to.
He said that he and Tilda Swinton had dreamed up a new idea for a film festival that summer, which involved pulling the Screen Machine, a ton mobile cinema, by hand across the Scottish Highlands, showing great movies in small villages along the way.
They called this wild idea The Pilgrimage. Mark had consulted the British Tug-of-War Association about how many people it would take to pull a truck of that size, and showed me some figures scribbled on the back of an envelope.
Mark was a maths whizz long before he was a world-renowned cinephile, but he was a bit troubled about his calculations. It might be a disaster. I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.
Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.
And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs. We got eaten by midges.
About 50 people pulled the Screen Machine with ease though not me, because I had a bad back. For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.
So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?
The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!
Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.
As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.
This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age.
I was hooked and wanted to learn more, so started reading many books on film too. Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.
I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.
I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes.
Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another.
I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.
Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.
About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail.
The next challenge, once I had seen a rough cut of the film towards the end of February, was to then start acquiring the best possible source materials of each of the 53 films that are used in the film.
Mark had a few of the titles in his personal collection and the rest I was able to obtain via other means. By the end there were only a couple of titles that proved difficult to obtain.
So it was with A Story of Children and Film. I realised early on in my thinking that, unlike my other films, it would not be about a journey, a road movie, it would be a series of themes.
So I scribbled each childhood theme — shy, secretive, performative, destructive, watching, leaving, adventurer, dreaming, grumpy, scared, loss, limited horizon, daring, class, adult, dog with a bone, alone — on the page, and drew a rough box around each.
Then, each time I watched a film, if it had a good scene about one of those themes, I wrote it down in the relevant box.
I noted down the order in which I saw the themes — shyness came first, for example, and destructiveness came last. This, by and large, became the order in which we edited the scenes in the film.
When it came to the edit, we chose what I thought were the best examples. The former allows me to jump between themes, notice connections, etc.
The screening was presented by Cannes artistic director Thierry Fremaux. Without condescension or cynicism, Cousins offers us his own humanist idealism, as refreshing as a glass of iced water.
Throughout, the film is rich in [its cinematic] finds, works seldom seen or discussed but, in many cases, just as impressive as the famous examples he samples.
The movie is as self-indulgent as it is brilliant. Vivian Van Dijk writes: Film director Mark Cousins has made with this film a blueprint for many film generations to come.
This is a must-see for anybody who is attending this Cannes Film Festival. Whether you are a film student or a successful film director already or just a film lover, Mark Cousins knows how to point you to the key ingredients that make children shine in film and also make their roles and behavior in film transparent.
Not top 10 good but definitely entertaining. This should be titled: No Great Muppet Caper ? This ten best film stuff is based on subjectivity.
So, New York Film School, you should qualify this before you go off and mislead aspiring screenwriters and filmmakers by making them believe something that is only true to the film school.
A lot of good films are missing which are already mentioned by other people. IMO, Rififi should be at top! Made me realise how many of my favourite movies are heist movies!
Click here to cancel reply. Inside Man Spike Lee, Some heist movies just grab you by the sheer inspirational brilliance of the heist itself.
Hal Dunn January 9, The Killing, Rififi, and one of my top 3 movies of all time: Dean January 9, Ojciec Fernando January 10, Your selection is much better than official list.
Very nice choices there. Stirge Fluton March 11, Laurie Thompson July 8, Hachiiiko April 9, Three Kings was directed by David O.
Russel, Spike Jonze did have a part in it though! David Valencia October 14, Ted Wolf May 5, Ernesto Perez March 20, Dr Smith May 5, There are a lot I want to see on your list, thanks!
Joel Zachariah March 19, Ari January 9, Daniele Concina January 10, And where is How to Steal a Million?
Kim Christoffersen January 10, Amor Asad May 5, Brian January 10, Topkapi, The Pink Panther….Saturday is full of excitement at Hollywood Casino Columbus! Independent Spirit Awards The most recognizable spy in the world returns to the viewer — and to the source of his own stormy activity in the service of Her Majesty! Most bachelor parties are full of a bit of debauchery, but the men in The Hangover take the night to a whole new level. February was rather quite, school runs, Mel studying all rather domestic. Besonders von "klein" Pesci. Seduced by the cash and the lifestyle, Ben joins a group of talented students who use their maths knowledge to win hard cash at Las Vegas, all under the watchful supervision of professor Micky Rosa, played by Kevin Spacey. Eskapismus, Overacting, Prätention, Nostalgie. So a big thanks to Gary and Jeanine for allowing us to stay for several days — a fantastic location. List of best Bodybuilding movies. His first mission for MI: Er besitzt seinen Anteil an der Beute und hat Tess zurückgewonnen. We all had fun in this tranquil town, Mel particularly enjoying the shopping! With mere hours to reassemble the pieces and find Dougcan they make it to the Beste Spielothek in Eselsbach finden on time?