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With the aid of the Contemplator , he discovers the cosmic being Eternity in a catatonic state. Quasar attempts to use the near-omnipotent Ultimate Nullifier against the god-like villain Magus , but Magus uses the Infinity Gauntlet to turn the weapon against Quasar, wiping him from existence.
Quasar helps defend the universe from aliens called Infinites. Quasar is killed by Annihilus. Wendell is restored to life in a Quantum Energy form thanks to the scientists of Project Pegasus.
Wendell volunteers to scout the rip in spacetime that occurs during the " War of Kings " storyline. During the trip, he regains physical form and discovers an alternate universe planning to invade his universe.
In an effort to prevent further galactic catastrophes, Quasar joins the Annihilators. During this time, he works as the curator of the Pleasant Hill museum.
Wendell Vaughn is an athletic man with no inherent superhuman powers. He received extensive training in hand-to-hand combat, and moderate experience in the same.
He is an expert in all basic espionage skills, as a S. While he possessed the power of the Star Brand , Quasar gained the abilities of flight, superhuman strength and resilience.
He also was able to regenerate his entire body from minute remains and did not need to eat, drink or breathe. However, virtually all of the energy derived from the Star Brand was depleted not long after he gave it away.
Quasar also briefly possessed the same powers of cosmic awareness that Eon granted to Kree soldier Mar-Vell later known as the original Captain Marvel.
By simply concentrating for a moment, he could gain complete knowledge about virtually anything in the universe. After a failed war with the Elder God Set and the deaths of every hero on Earth save the Silver Surfer, Quasar is merged with Captain Universe to form a super-being capable of capturing and defeating Set.
Using the Eye of Agamotto, Quasar traps himself and Set within its pocket dimension. Once, during a trip through alternate realities, the Earth version of Quasar viewed his Captain Universe-enhanced counterpart and Set battling each other.
Her, now called Kismet , teams up with the long-lost son she had with Quasar, Starhawk. With the aid of the Hawk-God Starhawk worships, the two vow to stop Era.
Wendell Vaughn briefly appears as a scientist in the alternate timeline. There is no indication that he possesses the quantum bands in this universe.
Quasar is briefly mentioned as having gone insane in Last Avengers Story 1, but does not appear. Dead Days 1, Quasar is one of the heroes attending the briefing given by Nick Fury about defending their world from the zombie plague.
The group destroys many of the somewhat heroic zombies featured in Marvel Zombies 2. Quasar and his zombie cohorts are killed at the end of the series.
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Darkhawk Gyre Talon Razor. Ikon Rom the Spaceknight Starshine. Cosmic entities Knowhere Planets. The earliest known occurrence of the spells included in the Book of the Dead is from the coffin of Queen Mentuhotep , of the 13th dynasty , where the new spells were included amongst older texts known from the Pyramid Texts and Coffin Texts.
Some of the spells introduced at this time claim an older provenance; for instance the rubric to spell 30B states that it was discovered by the Prince Hordjedef in the reign of King Menkaure , many hundreds of years before it is attested in the archaeological record.
By the 17th dynasty , the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well.
At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, though occasionally they are found written on coffins or on papyrus.
The New Kingdom saw the Book of the Dead develop and spread further. From this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes.
During the 19th dynasty in particular, the vignettes tended to be lavish, sometimes at the expense of the surrounding text. In the Third Intermediate Period , the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics.
The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri.
At the same time, many burials used additional funerary texts, for instance the Amduat. During the 25th and 26th dynasties , the Book of the Dead was updated, revised and standardised.
Spells were consistently ordered and numbered for the first time. In the Late period and Ptolemaic period , the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.
The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.
The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth," "speech," "spell," "utterance," "incantation," or "a chapter of a book.
At present, some spells are known,  though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.
Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.
The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.
The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life. A number of spells are for magical amulets , which would protect the deceased from harm.
In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.
For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.
The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.
Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.
In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required.
For this reason burials included a number of statuettes named shabti , or later ushebti. The path to the afterlife as laid out in the Book of the Dead was a difficult one.
The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures. Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque.
These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice". This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.
For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
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